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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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1378
Herbstauktionen
Weber, Hermann
Born 1959 Biberach.
«Das große Kind (the big child)». Mixed media on panel. Verso II num., titled, monogrammed and dated 2010 and signed. Provenance: purchased directly from the artist; since then in private collection. Literature: Thomas Lindemann (ed.), Hermann Weber - Nikolaus Betschner (1745 - 1811), Bilder - Zeichnungen - Objekte, Galerie Schloss Mochental, Engelhardt and Bauer, Karlsruhe 2009 (cf.).
Geb. 1959 Biberach.
«Das große Kind». Mischtechnik auf Holz. Kniebildnis einer abstrahierten Figur im roten Gewand eines Geistlichen. Verso II num., bet., monogr. und 2010 dat. sowie sign. H. 56,5, B. 42 cm.
Die Figur des hilflos wirkenden Geistlichen erinnert an die Bilder des Zyklus zu Nikolaus Betschner, in denen die Gestalt des Geistlichen in seinen ausladenden liturgischen Gewändern verloren geht. Allerdings stehen die leuchtenden Rottöne dieses Bildes im Gegensatz zu dem düsteren und schwermütigen Betschner-Zyklus.
Provenienz: direkt vom Künstler erworben; seitdem in Privatsammlung.
Literatur: Thomas Lindemann (Hrsg.), Hermann Weber - Nikolaus Betschner (1745 - 1811), Bilder - Zeichnungen - Objekte, Galerie Schloss Mochental, Engelhardt und Bauer, Karlsruhe 2009 (vgl.).